Chris’ favorite actual genre to write about is, people under fucking pressure. When the pressure is on, that’s when the truth comes out, when people (characters) show who they really are, what they’re made of what they’re really out to achieve. Chris wants to scare you, makes you feel uneasy or unsure, and believes that far too many people when given the chance will try to solve their problems with disorder and violence. And loves to lead people into a place where they are so invested in the characters and story, they never see what’s coming next, even though it was all laid out. Follow Chris on Socials

Ryan Thomas Riddle is an award-winning, mild-mannered reporter for a great Bay Area newspaper. He is assuredly no relation to Lord Voldemort.

A proud Fil-Am queer and screenwriter of Martians and mayhem — science fiction and noir. His STAR TREK STRANGE NEW WORLDS spec is a 2023 Austin Film Festival Finalist.

And a Trekkie on a mission—to boldly staff on STAR TREK | Follow Ryan on Socials

Produced/sold feature writer. Fan of spazzy comedy, coming-of-age, and country stuff. Unique POV of neurodivergence and parenting a large family. Available for representation.

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Having grown up on Disney and Days of Our Lives, Elizabeth fell for rule-bending escapism and fairytale love stories early on. Now, she writes stories across genres about earnest characters struggling through coming-of-middle-age crises and finding romance along the way. Elizabeth is based in Kansas City, where she's raising two rule-bending children of her own.

Recipient of the Story Incubator Writing Fellowship; Optioned a Christmas rom-com feature; Directors attached to three features. Follow Elizabeth on Socials

Mo Moshaty is a horror writer, lecturer, and producer. Flexing her horror acumen, coupled with her additional vocation as a Cognitive Behavioral Therapist, Mo has lectured with Prairie View A&M in Texas as a keynote speaker for Nightmares from Monkeypaw: A Jordan Peele Symposium, with Horror Studies BAFSS Sig for No Return: A Yellowjackets Symposium, with Centre for the History of the Gothic at the University of Sheffield and the University of California for The Whole Damn Swarm: Celebrating 30 Years of Candyman, Final Girls Berlin Film Festival's Brain Binge on Women's Trauma Within Horror Cinema and Cine-Excess: Raising Hell on The Creepy Kid Horror Subgenre. This is just the tip of the iceberg from the mult-talented Mo. Check her website for a bull bio: momoshaty.com

Writer of female-driven stories about love, loss and identity. Imagine Impact Alumni, Ubisoft Women’s Writing Finalist, and more. Loves LGBT storylines and Betty Gilpin, and constantly looking for ways to combine the two. Available for staffing and representation. Follow Alexis on Socials

Alrinthea Carter is an Emmy-nominated comedy writer (HBO’s “A Black Lady Sketch Show" created by Robin Thede), photographer, and improviser currently based in Los Angeles, CA. Raised in Europe as part of a military family, she transitioned to a career in the TV and Film industry after a16-year tenure as an academic advisor at Clemson University. When not writing or making up stuff on stage, she is an obsessive plant mom and Kitchen DJ. Her patron saint is and will always be Prince. Follow Alrinthea on Socials

Roller derby playing tea sommelier. Lover of murder… on screen. Numerous projects optioned over the years, I’ve written and produced for Netflix, Amazon, Peacock, and others. With a love for humor, horror, history, and mystery, I’m always looking for a new way to hide a body. Available for staffing and US representation. CDN rep: Sundust Management. Find Amanda at: welltwistedproductions.ca

After 15 years in the legal industry, I escaped the law office and leaped into the wonderful world of film. I wrote and directed a narrative drama short, Waiting Room (currently streaming on Amazon), which won Best Film at an Atlanta film festival. I also wrote, directed, and produced a comedy web series, All That Shabaz (currently streaming on SparkkTV). My pilots have placed in several competitions, including Austin Film Festival, Sundance’s Episodic Lab, Athena Film Fest (TV) and Circle of Confusion's Writers Discovery Program. After graduating from the WGF’s Writers Access Support Staff Training Program, I’ve worked as a Script Coordinator and Showrunner’s Assistant. I’ve also worked as a Director’s Assistant and a Producer’s Assistant. I write character-driven dramedies, mostly based in the workplace, and always from the perspective of a Black woman chasing her purpose. Having moved cross-country from Atlanta in 2020, I currently live in Burbank with my husband. When I’m not writing or directing, I’m battling 10-year-olds in Beginner Tap classes. Visit Shanice’s Website